PICTURES
Title page DVD cover: <http://www.publispain.com/posters/naqoyqatsi.htm>
Overview page "war music" picture: <http://www.geffenplayhouse.com/plays/warmusic.html>
Argument page "make music not war soldier" picture: <http://www.insurgentcountry.com/artists.htm>
All other pictures from Imagination feature at Naqoy.com: <http://www.naqoy.com/stills/ig.html>
FOOTNOTES
[1] Christopher Logue, War Music: An Account of books 1-4
and 16-19 of Homer’s Iliad (New York: The Noonday Press, 1997): 107.
[2] “The Making of Naqoyqatsi,” Naqoy.com, http://www.naqoy.com.
[3] “The Making of Naqoyqatsi,” Naqoy.com
[4] “The Making of Naqoyqatsi,” Naqoy.com
[5] Catherine Clyne, “Satya Aug. 03: Interview with Godfrey Reggio,”
http://www.satyamag.com.
[6] National Public Radio, “Weekend Edition,” 13 October 2002.
[7] “Interview with Godfrey Reggio,” Green Anarchy 12 (Spring
2003).
[8] “The Making of Naqoyqatsi,” Naqoy.com
[9] “Interview with Godfrey Reggio,” Green Anarachy 12
(Spring 2003)
[10] “The Making of Naqoyqatsi,” Naqoy.com
[11] “The Making of Naqoyqatsi,” Naqoy.com
[12] “Naqoyqatsi,” Philip Glass – Official Web Site, http://www.philipglass.com.
[13] Laura Sinagra, “The Village Voice: Film: Final Cut Pros,” The
Village Voice (October 16-22, 2002), http://www.villagevoice.com
[14] “Naqoyqatsi review | filmington.com,” 7 Nov. 2002, http://www.filmington.com/naqoyqatsi.html
[15] “Naqoyqatsi review | filmington.com,” 7 Nov. 2002, http://www.filmington.com/naqoyqatsi.html
[16] Kila Packet, “Original Motion Picture Soundtrack: Naqoyqatsi –
PopMatters Music Review,” 28 Februrary 2003, http://www.popmatters.com/music/reviews/soundtracks/soundtrack-naqoyqatsi.shtml
[17] Jurgen Fauth, “Full Review by your World/Independent Film Guide,”
World/Independent Film, http://worldfilm.about.com
[18] Kila Packett, "Original Motion Picture Soundtrack: Naqoyqatsi - PopMatters
Music Review," PopMatters Music, http://www.popmatters.com
[19] “eye – Miracle mile – 11.07.02,” eye Weekly,
07 November 2002, http://www.eye.net/eye/issue. For more film reviews, see also
Ann Hornaday, “What’s Hopi for ‘Trite, Boring Film’?”
The Washington Post (15 Nov. 2002); Liz Braun, “Words can’t
describe Naqoyqatsi,” Toronto Sun (8 Nov. 2002); “Fright
Site, Naqoyqatsi Movie Review,” The Cutting Edge, http://www.fright.com/edge/naqoyqatsi.html;
Marty Mapes, “Movie Habit: Review of Naqoyqatsi (2003),” Movie
Habit, http://www.moviehabit.com/reviews/naq_bm03.shtml; Kyle Smith, “The
Movie Insider – Review – Naqoyqatsi (2002)”, The Movie
Insider, http://www.themovieinsider.com/reviews. Interestingly, the most
positive reviews were from The Christian Science Monitor and the New
York Times: Stephen Holden, “Technology’s March, Surreal and
Grim,” New York Times (18 Oct. 2002); David Sterritt, “Motion-picture
poetry that explores life,” The Christian Science Monitor (1
Nov. 2002).
[20] Susanne K. Langer, quoted by Gillian B. Anderson, Thomas L. Riis, and Ronald
H. Sadoff, “Introduction,” American Music 22.1 (Spring
2004), 1.
[21] Claudia Gorbman, Unheard Melodies (Bloomington: Indiana University
Press, 1987), 159.
[22] Gorbman,160.
[23] Gorbman, 58.
[24] Royal S. Brown, Overtones and Undertones: Reading Film Music (Berkeley:
University of California Press, 1994), 32.
[25] “The Making of Naqoyqatsi,” Naqoy.com
[26] Brown, 32.
[27] Charles Merrell Berg, “Philip Glass on Composing for Film and Other
Forms: The Case of Koyaanisqatsi (1990)” in Writings on Glass,
ed. Richard Kostelanetz (New York: Schirmer Books, 1997), 137.
[28] Berg, 141.
[29] Berg, 141.
[30] Bob Fransworth quoted in Peter Dorbin, “Media’s War Music Carries
a Message,” Philly News (26 Aug. 2003).
Nashville composer Bob Farnsworth commented on CNN’s particularly strong
music. Though Farnsworth’s company has scored for films and commercials,
they have not been asked to write music for this war.
[31] Raymond Monelle, The Sense of Music: Semiotic Essays (Princeton:
Princeton University Press, 2000), 19-20.
[32] Monelle, 35.
[33] Monelle, 45.
[34] Monelle, 54-55.
[35] R. Michael Murray, “A Late Night TV Guide to the War Films, Their
Composers, and Recordings,” Film Score Monthly 1 (Sept. 1996),
12.
[36] Brown, 13-14
[37] Erno Rapee, Motion Picture Moods (New York; Arno Press, 1970).
[38] Murray, 13.
[39] Christopher John Farley, “Music During Wartime,” Time
(2 Oct. 2001).
[40] Farley, “Music During Wartime.”
[41] Peter Dorbin, “Media’s War Music Carries a Message,”
Philly News (26 Aug. 2003).
[42] Dorbin, “Media’s War Music Carries a Message.”
[43] Richard O’Brien, quoted in Dorbin.
[44] Bob Boilen, quoted in Dorbin.
[45] Hans Zimmer, quoted in Jeff Bond, “The Sword & Sandal Sound,”
Film Score Monthly (March 2000), 18.
[46] Bond, “The Sword & Sandal Sound.”
[47] Daniel Schweiger, “In the War Zone,” Film Score Monthly
(Jan. 2002), 33.
[48] Michael Schelle, The Score (Los Angelos: Silman-James Press, 1999),
132.
[49] Doug Adams, “Two Out of Three Is Better,” Film Score Monthly
(Dec. 2002), 22.
[50] Doug Adams, “Two Out of Three Is Better.”
Giorgio Biancorosso, “Beginning Credits and Beyond,” Echo
3.1 (Spring 2001) http://www.echo.ucla.edu/Volume3-Issue1/Table-of-Contents/Table-of-Contents.html
[51] "The Rejected Liner Notes from Tora!Tora!Tora!" Film Score
Monthly (March 2000).